Jack Kerouac
Program Video Clip List
|
| Clip # |
Start Time |
End Time |
Description |
| 1 |
00:15.1 |
01:15.7 |
Audio tape of Kerouac reading from his book, On The Road |
| 2 |
01:23.3 |
04:19.0 |
Mainstream America in the 1950s - in regards to WWII, Cold War, and The Red Scare
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| 3 |
04:53.0 |
06:39.6 |
Kerouac's popularity among Americans; how Kerouac handled his fame |
| 4 |
06:39.6 |
07:01.7 |
Kerouac's writings transcended their time |
| 5 |
07:01.7 |
08:36.8 |
His appreciation of jazz music and art; some of Kerouac's favorite jazz musicians and painters
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| 6 |
09:56.9 |
11:31.2 |
Recommended writings about Jack Kerouac by various authors; Hemingway and Kerouac's interesting personas |
| 7 |
11:46.5 |
15:16.7 |
Influences Kerouac faced when writing, Town and City; understanding the country and movement during the time of his writing; Kerouac's authentic voice in his writings |
| 8 |
15:19.2 |
17:46.3 |
How the Jack Kerouac Park came about; commemorative works in park; reaction of people in Lowell, MA to the memorial |
| 9 |
18:50.1 |
21:15.1 |
Parallels within and to Kerouac's writings; the upbeat experiences of his memoirs
|
| 10 |
21:15.1 |
23:15.3 |
Importance of Kerouac's birthplace, Lowell, to his early life and growing up; size of French-Canadian community in Lowell; language spoken by Kerouac; his given name; description of Lowell, MA today |
| 11 |
24:51.1 |
26:53.3 |
Young people's response to the Beat Generation writings during the 1950s; the homelessness spirit of Jack's work
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| 12 |
27:05.3 |
28:00.3 |
Audio tape of Kerouac reading from his book, On the Road |
| 13 |
28:00.3 |
30.03.0 |
Usage of drugs and alcohol by the Beat Generation |
| 14 |
30:16.9 |
32:31.6 |
Kerouac's writings classified as prose poetry; conservatism in his poetry |
| 15 |
32:31.6 |
34:03.8 |
Political views of Kerouac |
| 16 |
34:03.8 |
35:01.0 |
Main cities of where he spent time growing up |
| 17 |
36:58.8 |
40:16.2 |
Historian Douglas Brinkley shares how he acquired letters and journals from Jack Kerouac's estate; the impact of Catholicism throughout Kerouac's life
|
| 18 |
40:34.1 |
42:23.0 |
Video of Greenwich Village today in relation to Beat Generation connection; Brinkley's initial involvement with Kerouac's works; the magic bus in relation to the C-SPAN bus |
| 19 |
42:24.0 |
44:05.3 |
Kerouac's unusually close relationship with his mother |
| 20 |
44:05.3 |
47:14.7 |
Video of Time Square and Columbia University today in connection with the Beat Generation; revival of Kerouac's work during the 80's and 90's |
| 21 |
47:32.2 |
48:31.7 |
Today's inspired young people leave tributes to Kerouac's gravesite |
| 22 |
48:31.7 |
50:41.8 |
Allen Ginsberg and Kerouac's relationship; Kerouac's feelings of separateness from the Beat Generation writers
|
| 23 |
50:57.7 |
52:45.2 |
History studied through the writings of Kerouac
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| 24 |
52:48.6 |
54:56.0 |
Personal memories of Kerouac from Neal Cassady's son |
| 25 |
58:20.0 |
1:00:26 |
Song written by Kerouac, David Amram and others; spontaneous prose by Amram |
| 26 |
1:00:47 |
1:03:29 |
On the Road as a celebration of America: story of Maggie Cassidy; Kerouac as someone who sees the humanity in all of us
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| 27 |
1:03:30 |
1:06:31 |
His writing process; loved Proust and Shakespeare; he was not afraid to draw from American life; hoped his prose was fresh and authentic; he edited and worked hard at writing |
| 28 |
1:06:45 |
1:08:54 |
Stills with statistical information about America in the 50's; music accompanies
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|
| 29 |
1:10:40 |
1:13:30 |
Themes of loneliness, isolation; connection to interest in religion, seeking "it"
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| 30 |
1:13:47 |
1:15:58 |
Description and visuals of the "Scroll" on which Kerouac typed the novel; later revised for novel's publication, took out names; sold for 2.4 million dollars at Christie's auction |
| 31 |
1:15:58 |
1:17:07 |
Kerouac on Thoreau; attempted to live a life of simplicity; themes of solitude |
| 32 |
1:17:08 |
1:18:26 |
Comparison to John Steinbeck's "road" book, Travels with Charley and other American travel narratives |
| 33 |
1:19:04 |
1:21:59 |
Kerouac's closest boyhood friend was killed in WWII; Kerouac was discharged for refusal to pick up a gun; against hunting later in life; views about Vietnam war; he was not counter-culture, like the 1960's hippies
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| 34 |
1:23:22 |
1:25:29 |
What it mean to be a "Beat"; words like square, beatnik |
| 35 |
1:34:15 |
1:37:17 |
Ezra Pound, and some stories about his wife |
| 36 |
1:28:03 |
1:30:39 |
Audio clip of Jack Kerouac, and a clip of Sterling Lord, his agent, discussing trying to sell On the Road; took 5 years to sell it |
| 37 |
1:30:40 |
1:34:41 |
John Sampas, brother-in-law, on Kerouac's style; typed the Scroll in three weeks; wrote it on caffeine; publishing world rejected the spiritual, sexual adventure story of two young men; established editors were offended by a "working class" kid replacing them |
| 38 |
1:35:10 |
1:37:25 |
Dr. Sex comic strip by Neal Cassady; the extent of the Kerouac archive |
| 39 |
1:37:27 |
1:39:05 |
Jack London's influence; more on "road" books and the role of the automobile in fiction |
| 40 |
1:39:01 |
1:40:10 |
D.H. Lawrence |
| 41 |
1:40:11 |
1:41:06 |
What the Beats discussed-beauty, French; they were not establishment; wanted to see spontaneity and formality co-exist
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| 42 |
1:41:56 |
1:43:10 |
How Sampas makes decisions about managing Kerouac's estate-doesn't want to be too commercial; wants to preserve image of him as a "writer" and of a good looking "American" writer |
| 43 |
1:43:11 |
1:45:29 |
Connection with William F. Buckley; disastrous visit to Buckley's television show when he tried to distance himself from the war |
| 44 |
1:45:55 |
1:47:57 |
Allen Ginsberg, sexuality, rumors out of McCarthy era |
| 45 |
1:48:53 |
1:50:10 |
Gary Snyder as the hero of the Dharma Bums, understanding of Buddhism, other poets |
| 46 |
1:50:11 |
1:51:30 |
On the Road today; how it reads compared to how it was read in its time |
| 47 |
1:51:53 |
1:53:45 |
Could society today spawn a Jack Kerouac? Women of the era |
| 48 |
1:53:46 |
1:55:10 |
Impact of the death of his brother, Gerard (also visuals of Jack Kerouac's gravesite) |
| 49 |
1:55:34 |
1:57:05 |
Influence on Bob Dylan, also Henry Miller |
| 50 |
1:57:30 |
1:59:55 |
Closing remarks on significance of the Beat Generation; rise of ecology, flexing of the first amendment |
| 51 |
1:59:55 |
2:01:59 |
Final excerpt of Kerouac reading from On the Road (with Native American inspired music in background) |
C-SPAN Video Library 
